Instruments for making music.
Three instruments. One for producing musical ideas, one for editing and mangling samples, one for seeing your music move.
A new instrument is coming.
Jam a track in minutes. Twist it. Break it. Mutate it. Keep going until it hits.
No empty canvas, no menus in the way. Immediate. Visual. Physical. Absolute control, relentless momentum.
One sample in. A batch of variations out.
Trim it, chain up to eight effects, draw movement into any parameter — then hit MUTATE. Four depths, from gentle nudges to anything-goes chaos.
Audition the batch, favourite what hits, write it to disk as clean 24-bit WAVs. The source file is never touched.
Machinery, not generation. The sound stays yours; it just forgets where it came from.
See what you're hearing.
Put your music in. Pick an algorithm — pure mathematics driving every frame.
Then jam the parameters live until the picture moves the way the track feels.